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Mohammed Rafi: The voice that dances across decades

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Mohammed Rafi, the inimitable doyen of Indian playback singing, immortalised his art through an unparalleled blend of versatility, emotive depth, and timeless melodies that continue to resonate across generations

Touseful Islam

Publisted at 10:14 AM, Tue Dec 24th, 2024

An unparalleled virtuoso of playback singing, Mohammed Rafi remains an enduring icon whose mellifluous voice transcended linguistic and cultural boundaries.

Born on 24 December 1924, in Kotla Sultan Singh, a quaint village near Amritsar, Punjab, Rafi ascended from humble origins to become a colossus in the realm of Indian music.

His repertoire, spanning genres as diverse as classical, ghazals, patriotic anthems, and romantic serenades, was enriched by his ability to infuse every lyric with emotive depth and tonal precision.

Rafi's journey into music was serendipitous yet inevitable.

As a young boy, his passion for singing was ignited by his elder brother’s friend, who recognised his potential and mentored him.

His first public performance in Lahore, where he sang for a visiting Fakir, marked the inception of his illustrious career.

Rafi sahab's versatility was his hallmark, allowing him to lend his voice to a panoply of emotions and personas.

Whether it was the zestful exuberance of "Yahoo! Chahe Koi Mujhe Junglee Kahe" from Junglee (1961), the soulful longing in "Chaudhvin Ka Chand Ho" from the 1960 eponymous film, or the patriotic fervour of "Kar Chale Hum Fida" from Haqeeqat (1964), Rafi embodied the spirit of the song with unmatched finesse.

His duet with Lata Mangeshkar, "Tere Mere Sapne" from Guide (1965), remains an epitome of romantic interplay, while "O Duniya Ke Rakhwale" from Baiju Bawra (1952) showcased his command over classical intricacies.

Rafi sahab was not merely a singer but a storyteller who enriched narratives with his vocal prowess.

His renditions often served as conduits for unspoken emotions, as evidenced in "Tum Jo Mil Gaye Ho" from Hanste Zakhm (1973) and "Din Dhal Jaye" from Guide (1965).

With the playful "Aaja Aaja Main Hoon Pyar Tera" from Teesri Manzil (1966), he epitomised the effervescence of youthful love.

Honoured with the prestigious Padma Shri in 1967, Rafi’s contributions were more than musical; they were cultural.

He became the voice of a nation in transition, capturing its dreams, struggles, and passions. His untimely demise on 31 July 1980 left a void that remains insurmountable.

Yet, his music endures as a testament to his genius, continuing to inspire generations of artists and listeners alike.

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